Positions Hollywood

12/04/2013 08:56

Positions Hollywood

 

Stud`nts are always asking the question: `What`s a good way to learn English?` Learning by reading is true. However, it’s necessary to be interested, which is what makes you interesting. Conversation is then possible because you have something to talk about with people who speak English. Otherwise, it`s just Q&A, `Where is the baby giraffe?` `Is this color pink?` Reading things in English that are interesting for you is, therefore, useful. However, learning punctuation, when around 30 years of age, during the writing of a PhD, `Jungian Archetypes in the work of  [US science fiction writer] Robert A. Heinlein [1907-88]` at ‘Ull Universe City (1992), required a style, and the ability to use it. It’s advisable for stud`nts to write, or translate something from English (if they`re advanced enough), and let them try to find a publisher - such as a newspaper or magazine. When they`re successful, it increases their confidence.

 

 

 Apart from reading and writing, stud’nts should watch movies. However, understanding language structure, etc., from MBC Action or MBC 2, which is the typical movie fare in the Muddle East, poses difficulties. Arnold Schwarzenegger in Terminator (1984) is the prototypical `action` movie character. The joke in Hollywood was that Arnie only spoke five times in the entire film (# 3, ‘I`ll be back!`) - and he was the star. However, the truth was that the action was the star, and that consisted of people being murdered amid explosions and expensive, impossible to replace, equipment: all of which the audience is expected to cheer and applaud as great entertainment. However, murder isn`t entertaining and Hollywood’s programed a generation into believing it is.

 

 

 The problem with `TV` is that those watching it, or the movies, are encouraged to view language, which is the medium of diplomacy, as valueless. Consequently, everything else is devalued on our screens. There`s no communication, which is the basis of freedom. There`s only violence and action in accordance with violent ambitions; everything points in that direction. Viewers are programed to look at the world through a screen: real or imaginary. Sexual repression is the reason. Although the Arabs were depicted as losing the Crazy Golf war, the body/mind dichotomy much discussed by Eastern philosophy; for example, India`s Guatama Buddha (c. 563-483 BCE), is evidenced in the West through oil. Autombobiles resemble nothing but headless bodies on wheels with pedals, that is, treadmills, and `TV` is devoid of images of human sexual intercourse, which most adults are taught to find immoral. The focus on babies and children ignores the fact that medical science conferring immortality is ignored in favor of paying for wars, which `TV` presents as its main fare. The children are devoured in war, and the paedophiles want more. Because churches don`t preach `woman`s seed`, that is, human sexual reproduction between women with penis` semen of their own and women without, `TV` education is the presentation of men and women as a single male brained creature wearing each others` clothes as a transvestite. The ‘beast` of Revelation voiding the human futanarian species` brainpower of its capacity to sexually reproduce; until everyone is at war in brainless idiocy. In the absence of `woman`s seed` from situation comedy; romantic movies; science fiction; pop music, etc., violence is what fills the gap where social interaction should hold sway. Beneath their burkhas in the Muddle East, the burkha babes are hidden, while the West parades its babes naked without any discernible futanarian partner from ‘woman’s seed`. Consequently, war is what `TV` is for, and it`s alien.

 

 

 Reviewing April 4th 2007’s reports of stud`nt Seu Hing Cho`s taking of a Glock into Virginia Polytechnic Institute and State University in the USA, and shooting 32 of his fellow stud`nts with the bullets from the handgun, there`s someone who watched the ‘Vlad’ Puttin` World ‘Crazy Golf’ War III on teevee, while playing Mortal Kombat (1992) on his games` compsole. Puttin’ was a Lieutenant Colonel with the KGB during the Rushon war with Afghanistan (1979-89), which the Rushons lost. Rushon withdrawal coincided with their withdrawal from Yugoslavia after WWII, and the subsequent devising of ‘rape camps’ by Christian Bosnian militia for women of Islam in order to male brain a generation of Moslems, while Iraq’s inavasion of Kuwait was known as its ‘rape’. In 1990 Puttin’ left the KGB to become a politico, and the subsequent emergence of the terrorist group, Al Qaeda, under the auspices of the notoriously misogynist Taliban regime of Afghanistan, which hijacked civil airliners to crash into the Twin Towers of the World Trade Center in New York city on September 11, 2001, shortly after Puttin’ became President of Rusher, suggests that the first hole for Puttin’. When he renewed the war in 1999 against the Moslem Republic of Chechnya in Rusher, which had ended in 1996, the result was Chechnyans bombing of the Boston, Massachusetts, Marathon in the USA on April 15, 2013, and shortly thereafter Abu Bakr Al Baghdadi was declared Caliph of the Indpendent State of Iraq in the Levant (ISIL), after Iraq’s dictator, Saddam Hussein, had been deposed by US’ army invasion in March 2003 for publicly evincing support for Al Qaeda, which suggests that was the second hole for Puttin’. Cho, seeing the laser-guided missiles hitting their soft Iraqi targets with a satisfying crump and no reprisals, understood that this was Puttin’ realpolitik. He could hit people and, because it was just a game he was seeing through the screens of his media-programed eyes, he would be safe in his murderous ambitions. An extension of Streetfighter II (1991) is what Western culture was told. Murder is a gamer`s, and it`s how to entertain ourselves.

 

 

 The only meta language is that of the games` arcade. Renting a flat in Buttapes near Whores` Sweater, someone had left a condom on the bookcase with the brand name `Kill Zone`. It was clearly a spinoff from some games` system. However, it represented a dangerous conflation: mixing love-making with dark terminology. Being `in the zone` is something dancers talk about, when they`re moving at their optimum and feeling unfettered. `Zoning out` is an expression used to indicate relaxation, but we`ve become so militarized in our thinking that a condom that prevents spunk from finding the egg, and achieving the goal of human fertilization, bears the legend, `Kill Zone`. `Destroy` and `kill` are the words most often used in games` systems  and, sitting, standing, or walking behind the psychological screens built around us like walls, these words and concepts are constants within men and women’s programed ‘TV’ environment.

 

 

 While ensconced in 2004 teaching a Special Skulls` English programme in Bolyiregs, Rusher, near Ufo, condoms were thoughtfully provided in the room. However, these were labelled Psycho. The programing is real. Pop singer, Britney Spears, has a CD titled In The Zone (2003). Dancers often approach physical climax during their routines; because it`s psycho-sexual. The `zone` becomes erogenous. However, there`s clearly something amiss when we call a condom, `Kill Zone`. Love-making isn`t warfare, and women aren`t a legitimate target. However, the virality of the English language seems intent on making psycho-killers with the flexibility of its patholinguistic constructions.

 

 

 Teachers used to stud`nts complaining that English has words meaning different things in different contexts, smugly explain that it`s because English has a wide variety of meanings for the same word, and that this is good. However, if the word `zone` is used to indicate death, and also the erogenous zones of `TV` men and women, the language used is patholinguistic. If there`s nothing wrong with the language itself, it`s how thought is programed to use it. Moreover, through teevee and games` systems, it`s what is promulgated to non-native speakers, who complain English is an `attack in our own homes` as a part of teevee`s mass media entertainments.

 

 

 That indelible `TV war` scene above Kuwait, with the camera eye in the A10 tank-buster over a column of evacuating Iraqi troops alongside refugees, allowed the viewer to observe the tanks and trucks explode at the press of a button from the miraculously prescient thumb of the pilot as games` compsole player; so far above the ants on the ground that the possibility of any emotional involvement had evaporated forever. From the `TV war` actor in the air to the `TV watcher`, it`s where `TV` innocence was finally lost.

 

 

 In Indiana Jones And The Temple Of Doom (1984), ‘Indie’ encounters a hugely muscular figure wielding a sword. Legend has it that this character had spent almost a year perfecting his sword technique, and had learnt every move he was required to perform in accordance with the directions in the script. On the day, the movie was behind schedule and actor Harrison Ford, ‘Indie’, in consultation with director Steven Spielberg, decided the scene would take too long to film; so Harrison shot the swordsman rather than act out the planned swordplay. Admittedly, Harrison Ford is more voluble than Arnold Schwarzenegger, but the outcome is the same; a psychopathological desire to cut life short characteristic of paedophilia. Adult scenes take too long and, if `woman`s seed` is to be incorporated into the picture as futanarian humanity, it`s too complicated for the sociopathology of men and women`s paedophile `TV`, which wants more children, rather than eternal youth.

 

 

 Talking with a colleague in Yarubeer on the subject of movies, Mr Notoby liked the sword action of Troy (2004), while I thought of Gladiator (2000). They`re about women, and the defense of women. In Australian actor Russel Crowe`s sword and sandal epic, Gladiator, Maximus loses his wife to the murderous Rumun Emperor, Commodus, and the film follows his quest for vengeance. In Troy actor Brad Pitt (1263-), even more famous for the film he made about having a BBQ with his wife, Mr and Mrs Spit, goes to aid Menelaus, after his wife Helen is abducted by the Trojan Prince, Paris. The Greek military arrives in their ships to take Helen home. The hero Achilles (Pitt) is their talisman. The basic premise is protection of women, which isn`t enshrined in the phrase,`women and children first,` a slogan for every ship of every nation that carries passengers. In ancient Greece, homosexuality in pederasty for war was institutionalized. Consequently, the Greeks were a virus. Troy fell to a ruse, which was the construction of a huge hollow wooden horse left outside the gates of Troy. There the Trojans found it and took it into the city. The Greeks emerged from within and began to host womb slave the women to spread their contagion of war further. By the late 20th century, Trojan viruses were infecting computers so that the artificial brainpower devised by humanity couldn`t function, and the incurable killer disease virus, HIV/AIDS, was being spread by homosexuals’ mixing blood, shit and sperm in each other’s anus, which is what pederasts and paedophiles were for. The Greeks were asked to put Helen first, that is, a woman amongst women, because children are what homosexuals want.

 

 

 What we`re coached into implementing is to do with the difference between Indie with his pistol and the skillful, hard-working, sword employing, body-developing, hapless misfit, who encounters superior technology in the shape of  the bullet that kills him (albeit Hollywood-style). Because what the semi-nude muscular form holding a scimitar represents is a woman. Indie shoots her because he hasn`t got time for what`s effectively a naked woman. The swordsman represents a strong female; the denial of penetration. Indie can`t be bothered to engage with the female principle`s skill; creativity; development; mystique; strength, and mystery. To gun down the figure holding a weapon that`s clearly inferior is to send a signal that the hero is an attacker of women, so `women and children first` isn`t an edict. Woman isn`t going to be defended by Indie. In black robes, the swordsman is reminiscent of the Muzzlem women beneath their burkhas, who`re the `remnant` of Revelation: `The dragon was wroth with the woman and went to war with the remnant of her seed.` (Rev: 12. 17) The futanarian human species of `woman`s seed` is what the USA`s B1s were dropping their payloads on during the Crazy Golf’s Puttin’ out war, while Mao Satan`s little read book of Red Shyness’ was gathering dust in the Peeking library of the Forbidden City.

 

 

 During the first Rushon intervention by `Vlad` Puttin` in the Crazy Golf war, there were stories in  Kuwait of women being raped, that is, metaphorically `impaled`, by invading Iraqi soldiers, although with HIV/AIDS so prevalent, the notion of death by rape wasn`t so metaphorical. Vlad Dracul was the 15th century East European Prince of Wallachia who impaled his enemies, that is, ‘woman’s seed’ didn’t have a stake in him. As She’sus’ disciple, John, wrote in his apocalyptic Revelation of the future: ‘Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.’ (Rev: 16. 11) What they’d done was prefer homosexuality in pederasty for war against women, and DR Congo had discovered the human immune deficiency virus (HIV) in 1983, a variant of simian immune deficiency virus (SIV), which was transmitted from apes through homosexual contact. The resultant acquired immune deficiency syndrome (AIDS) killed the human brain. Consequently, the rape of women in Iraq from 2003 by those same invading American soldiers that had liberated Kuwait in 1991, and dragging cooly on their cigarettes (Dracul), vampiristically extinguished `woman`s seed` hidden beneath their burkhas in Iraq by male braining their births. The danger in the West is that movies focus on protecting children, whereas the focus should be on defending women. Muzzlem repression agrees with Crushteen paedophiles` emphasis upon protecting children, because Western monogamy can`t recover from its refusal to defend `woman`s seed`, whereas hidden beneath her burkhas in the Muddle East the four wife permission given by her Gran assures her ascendancy over the seedless women of the West`s brainless humanity bred only for war against its own species.

 

 

 Swiss psychologist Carl Gustav Jung (1875-1961) noted that the sword is associated throughout mythology with the animus of a woman; the contrasexual component that is found alongside her feminine consciousness in the form of the ego. Sword-wielding figures, therefore, are viewable as a representation of women. As the sword is also a symbol of the penis, the sword-carrier represents the woman`s penis at a lower level of physical status, that is, she`s rape. It`s no accident that the cross of She’sus is shaped like a sword with its point in the Earth. Nor is it a coincidence that a condom is called a sheathe, because impaling upon the sword of the penis can cause death through HIV/AIDS. As the `son of man` She’sus birth from his mother, the Virgin Mary, meant she`s `mankind`, that is, as a representative of the human futanarian species of `woman`s seed`, She’sus is Mary`s sword, which is woman`s, because brainpower from ‘woman’s seed` is the last human defence against the invader.

 

 

 In Pseudi Yarubeer men dance with swords in their hands, and rifles. The invisibility of the women is traditional, and the symbolism is evident. The sword is the woman’s; it`s the defense of slavery that`s declared. Working in Dalek`s Military City as a language instructor for Pseudi Yarubeer`s North West Legged Forces Hospital, in mile long columns Konk Carlid’s tanks pour out in their hundreds on wheeled transporters, which is Shaitan`s (Satan`s) sword, whose nasal whine that’s a precursor of shells reaching their target is a sign and a symptom of the war against `woman`s seed`: ‘The angel swung his sickle on the Earth, gathered its grapes and threw them into the great winepress of God’s wrath.’ (Rev: 14. 19-20) As She’sus on the cross was the evil sword of the Rumun Umpire up to the hilt in mother Earth as a symbol of misogyny, She’sus crucified represents the intention to exterminate `woman`s seed`, which is symbolized by the sickle moon of Islam’s ISIL, ‘There is no God but God.’ She’sus’ Resurrection and Ascension to heaven, after being nailed by the Rumuns to a cross of wood as a Jewish ‘dissident’ prefigures that of `woman`s seed`, which is the true message of She’sus’ church denied to believers. Conditioned to worship the god of violence by `TV`, physical love has become anathema to the television audience, and death`s entertainments are what the mass media preaches.

 

 

 At the commencement of the 21st century, taught that violent programming is entertainment, then women as, more than figuratively speaking, sword-wielders in the face of gun-toting lunatics, are in great danger. The science fantasy imagery of Xena: Warrior Princess (1995-2001), with actress Lucy Lawless defending herself and her companion, actress Renee O` Connor as Gabrielle, with her sword, are empowering for `woman`s seed`. However, a sword won`t shield women against men`s guns, and more powerful projectiles; for example, intercontinental ballistic missiles (ICBMs) afford great penetration. If swords are what women are taught, they’ll remain host womb slaves in parasitism, while believing in She’sus `Second Coming` to the Earth as the avenger of futanarian `woman`s seed`: `Coming out of his mouth is a sharp sword with which to strike down the nations.` (Rev: 19. 5) Men`s weapons are sufficient to quell women`s humanity, while the aliens prepare a final onslaught. Higher levels of alien technological development are misanthropy`s, misogyny`s, pederasty`s, and paedophilia`s. She’sus’ sword raised against the `red dragon` is that of the converter seeking to dissuade the little read book wavers of Red Shyness` Mao Satan, and Red Rushons’ `Vlad` Puttin’ to hole out in the Crazy Golf wars, while ISIL looks to get an ‘eagle’, that is, the United States of America`s: `The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 4) Until it grew dragon`s wings, and arrived with its B1s in the Crazy Golf war to where she was holed up, the USA was God`s ‘eagle’. With penis` semen of her own, women could sexually reproduce the brainpower her race needed to escape men`s host womb slavery of her upon the Earth in parasitism. To convert men into defending women as a species is the only possibility: `Christina Aguilera mixed up the words to the National Anthem … "Whose broad stripes and bright stars through the perilous fight, what so proudly we watched at the twilight's last reaming.”’1

 

 

 In Hebrew, `aguilar` means `eagle`, and pop singer, Christian Aguilera (‘eagle`s nest’), was described as being `holed` by the United States media in February 2011, that is, it’d made an ‘eagle’ during the Crazy Golf War. Britney Spears was similarly associated with US’ ‘Manifest Destiny’, because the Rumun guard Longinus’ spear at the crucifixion was ‘the spear of Destiny’, which speared the side of She’sus ‘Christ’, the Messiah, at the crucifixion. As She’sus’ teaching was that a Holy Spirit would teach after him, and the ‘spirit of God’ is feminine, She’sus was the ‘Second Adam`, after the first man created by God, Adam, from whose side the first woman, Eve, emerged, that is, the Holy Spirit was the ‘Second Eve’. Consequently, Britney Spears’ depiction of herself on the cross on the cover of the CD single from the Blackout (2007) album, `Piece Of Me`,  which contains her lyric, `I`m Miss American Dream since I was 17`,2 represents the Resurrection and Ascension of the ‘Second Eve’ as the destiny and dream of ‘woman’s seed`. Born of the Virgin Mary, She’sus was uncontaminated by male semen, so represents Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`: `Surely, this was the son of God.` (Matt: 27. 54)

 

 

 In Norse mythology`s Edda,3 the winged Valkyrie are women who take the slain heroes to dwell forever with the gods in Vahalla, where they fight and die again each day with their sword in their hand. The heroes don’t have a Glock to watch, so the sword action depicts freedom from fear, rather than the higher technological levels of men’s slaving to destruction. The women’s wings take them to the battlefields to find and carry the fallen to Valhalla. It`s paganism because the Edda doesn’t depict the Valkyrie as futanarian ‘woman’s seed`, so they can’t be imagined reproducing with each other in God`s heaven above the Earth amongst the planets. Upon the Earth women’s daughters pay guns, because that`s paganism. Although the heroes of Valhalla are brave-seeming, they represent those who aren’t born strong from `woman`s seed`. As paganism wants slaves, so women’s host womb is used to produce male brained `TV wars` for alien entertainment:

 

`After all you put me through,
You think I'd despise you,
But in the end I wanna thank you,
'Cause you've made me that much stronger.`4

 

 

 Although from a US’ point of view, Christina Aguilera`s `the eagle` of `the eagle`s nest` giving birth to a child, `who will rule the nations with an iron scepter` (Rev: 12. 6), and Spears is the ‘American Dream’ of ‘Manifest Destiny’, men`s wars are against their `seed`, which is why Christina’s represented by Vulture journalist, Mike Vilensky, as having described war as `reaming`, that is, enlarging an anus, rather than the more obvious homonym, `dreaming`, during her rendition of the US’ national anthem, `Star Spangled Banner`, because misogyny’s Crazy Golf War was for an ‘eagle’, that is, a `hole in one`. Christina, who`s symbolically the woman with the eagle`s wings, and symbol of the US, is a ‘hole’ to misogyny. Moreover, as it`s a tradition of slavers to castrate, the US’ win in the Golf wasn`t a victory for `woman`s seed`.

 

 

 Nowadays a man can be cut down in a second, or a woman. Taught by cowards that men fight each other with swords, and that guns are improved swords, rather than defend the human species of futanarian `woman`s seed`, even its supposed heroes are evil. Moreover, its heroines are weaker with a sword, although that’s the level of technology they`re kept at, so women`s sword is merely a symbol of their penis’ power to defend her race through the sexual reproduction of her species of `woman`s seed` own brainpower to escape her host womb parasite and slaver. The pagans want to hold up God with their guns and make God pay, so they want to get the woman with the eagle`s wings that`s ‘holed up’, which would be the equivalent of a ‘hole in one’, that is, an ‘eagle’, in the Crazy Golf War. For the slavers, it`s better that the race is impotent, whilst its cock-eaters have already eaten the woman’s, and that’s the reason hammering a bullet from a gun is preceded by ‘cocking’. After sexual reproduction comes the cock-eating, which is what the slaver-parasite practices. The modern heroes are the defenders of women, which the movie industry centered upon `Babylon`, district of Hollywood, city of Los Angeles in the West coast state of California, USA, can`t represent without women with cocks as mainstream mass media entertainers; singers and clowns. Positions Hollywood! Otherwise, it`s the Titanic. Too few lifeboats, and the paedophiles preferring children to women, while the gunmen shoot the would-be escapers to make sure its crew either remain slaves, or drown when the ship sinks.

 

 

 Formerly supportive of the Sarah Michelle Gellar character-type in Scream 2 (1997), who runs through the car park late at night pursued by an axe man, nowadays the audiences cheer gleefully, which is what society’s been programed for. Stud`nts ask, `What should I do to learn English?` In the absence of genuine linguistic interaction, which is what action movies represent, watch romantic comedies like House Bunny (2008), Desperately Seeking Susan (1985) and Teen Wolf (1985), or situation teevee comedies (sitcoms) like Friends (1994-2004), Married with Children (1987-97) and Eight Simple Rules (2002-2005), because humor in the absence of violence is essential. It`s the recipe for life; laughter and love. All stud`nts learn from popular action movies, which are misanthropic because the human futanarian species of `woman`s seed` is absent from the picture, because the cock-eater have eaten it, is sufficiency of firepower. Heroines are actresses; Jodie Foster, raped in The Accused (1988), gets revenge through the courts` jailing of the three `gang-bangers`; Meg Ryan in Courage Under Fire (1996) is killed by her platoon, while defending it, so that they can escape more quickly; Demi Moore in G.I. Jane (1997), abused by fellow trainees, becomes a Navy Seal despite it, and Jennifer Lopez learns self-defense in Enough (2004) to kill her murderous spouse. These female leads represent the struggle for the human futanarian species of `woman`s seed` to receive permanent mass media representation as the race of women upon their Earth. In The Accused Sarah Tobias` rapists are caught when she remembers those who cheered. However, misanthropists cheered in the cinemas. Because the slaver parasites don`t want a social revolution, rape is frowned upon publicly, while secrely acknowledged as the slaver`s tool in parasitism upon the human host womb.

 

 

 Talk about sex in Yarubeer is ‘haraam’ (forbidden); as sex scenes are taboo in mainstream media because they reveal too much of the truth about host womb slavery to the parasite in parasitism for the potato to feel comfortable on its couch watching its male brained `TV wars`. The Playboy channel, etc., is part of a necessary corrective to the daily diet of murder and mayhem programing the `TV` that`s men and women. Playboy bunny Kendra Wilkinson represents healthier `TV` than Indiana Jones` gunman triumphing over ‘a woman’s sword’. Without speaking, she has more to communicate than even the monosyllabic Arnold Schwarzenegger in Terminator (1984). The language of defending women is what stud`nts need to learn; not the language of the hoodlum in the `hood. Recommending soft porn to the `Slammer is haraam, however. Amongst Muzzlems sexuality is so muzzled that women aren`t expected to know what a kiss is. A group of my stud`nts developed conjunctivitis, and ostensibly walked out of a movie, Underworld: Rise of the Lycans (2009), shown to illustrate the use of the conjunctive (and, but, etc.), because Kate Beckinsale`s character was nude, although it seems more likely that it was because it identified the all-male class as having canine teeth.

 

 

 ‘Hollywood’ won for the USA in Europe against the Commonests, because people wanted to be above average, that is, a meritocracy after the US’ model, which is the ‘American Dream’ of being unfettered through obedience to God. However, the symbol of Islam in the Muddle East is the scimitar sword, because Moslem women were kept below average there by guns. In Iraq it was the gargantuan crossed scimitars in Saddam Hussein`s Baghdad that the Americans demolished with theirs. It was Saddam`s praise of Al Qaeda, after that terrorist group operating under the auspices of the notoriously misogynist Taliban regime in Afghanistan, and led by Saudi Arabia`s Osama Ben Laden, hijacked civil airliners on 9/11, 2001, to crash into the Twin Towers of the World trade Center in New York, which resulted in the US army`s invasion of Iraq in 2003 to depose the dictator. However, demolishing the swords was a symbol of Iraqi women’s re-enslaving, that is, slavery again using its guns to host womb slave in parasitism the human futanarian species of `woman`s seed`.

 

 

 In Yarubeer women are rarely seen by a man other than their animal husbander, which is the key to `Slammeric understanding. A diet of violent films won`t win for the USA in the Muddle East, because it`s about women`s liberation. Only a move towards representing the human futanarian species of `woman`s seed` in the mainstream mass media as pop stars; actresses, and comedians, etc., would bring revolution to the `Slammer. Although Yarubeans object to the diet of violence from the small screen of `TV`, concern is mainly over even the mildest sexual content, which is censored. Not unlike right wing Crushteen paedophiles opposed to any and all expressions of sexuality that might persuade humans to lobby for medical science to give them permanently youthful porno bods, rather than spend $ US gazillions on the war machine of the Military Industrial Complex (MIC) on the mistaken assumption that it`s a booster for the economy and jobs, Yarubean slavers in parasitism are threatened by sex scenes. In Referring to an Arnold Schwarzenegger movie, Collateral Damage (2002), in which the lead character kisses his wife before she`s blown up by a terrorist bomb at a restaurant, a stud`nt told me that, while children were kissed in `Slammer movies, kissing between men and women was neither `Slammeric nor sexual. Arguing that bombs are harmful, whereas kissing isn`t, and neither is sex, was anti-‘Slammeric. Notions that something wrong has occurred in a movie like Collateral Damage in which the wife is killed is politely ignored as an ‘alien’ concept. Crushteen paedophile morality is similarly based on the fallacy of adultery, whereas men are women are human species’ adulterate. The absence of human sexual intercourse between women in mainstream mass media indicates that the alien is killing the human race it`s adulterated. Unless humanity prevents the alien from practicing adultery on it, it`ll be extinct. If God is love, why don`t we see any?

 

 

 Muzzlems criticize the bad treatment of women in American movies, that is, women are likened to dogs; or other husbanded animal livestock to be muzzled. As many Muzzlem women are the recipients of criminal domestic abuse designed to give them animal training, criticism of American misogyny is largely hypocrisy designed for mutual concealment. It`s the truth of what`s depicted televisually that disturbs Muzzlems, and it’s this aspect of the `Slammer that`s vulnerable, which US `TV` program makers could utilize by promoting the human futanarian species of `woman`s seed` in mainstream media. Everything on the surface is now recognizably the `Slammeric culturally. As with Eastern Europe during Commonest belief, the US is seeking cultural hegemony through the `Slammer. However, a diet of intimidating violence, slightly diluted with 30 minute sitcoms, and condemnable in the `Slammer for nudity and sexual themes, might win the Moslem ‘TV’ award, but it won`t win it for the humans.

 

 

 Many Muzzlem stud`nts favor horror movies. However, Saw (2004) isn`t entertaining for the victims who have their body parts removed: it`s horrible. Showing scenes of Americans having their legs sawn off could be construed as pleasurable for Muzzlems; if you support Al Qaeda. `Slammeric tradition is that women are never seen, and the `Slammeric Jenna is viewed as equivalent to paradise, where female houris await men`s pleasure. Consequently, although Muzzlems are publicly affronted by ill husbanded treatment of women as animal livestock, their stated preference for horror suggests that`s what Jenna is, and in the Old Mendedtoaster of the Boble, the place of eternal unendurable pain for the evil punished by God is called ‘Jehenna’, which is sufficiently similar to ‘Jenna’ to suggest that’s where perdition takes place.

 

 

 Complaining Jodie Foster was nude during her rape scene in The Accused (1988) is hypocritical. So long as the rape isn`t seen, it`s acceptable? Seeing women fucking each other isn`t acceptable? Even pornography bans women from fucking each other, and porn sites like https://www.futanaria.com feature men fucking women with cocks to emphasize the role of the parasite as a host womb slaver of the human race, and the extinguishing of the species` potential for producing the brainpower it needs to escape from men. A popular sitcom in the USA was Dharma and Greg (1997-2002) starring actress Jenna Elfman (1971), because ‘Jenna’ is ‘paradise’ in the `Slammer. The USA was playing `mind games`. Its mainstream mass media women don`t have cocks, although the Moslems’ concept of paradise as horror suggests they’re hammered there.

 

 

 In Western folklore an elf is a creature of fantasy, corresponding to the genius or genie (djinn) of the Yarubeans. `I’m a genie in a bottle,`5 sings Christina Aguilera. The plea is for women to be accepted as human. The meaning for Jenna Elfman in Dharma and Greg is that dharma is the Buddhist term for ‘illusion’, that is, Western sitcoms, etc., foster the illusion that women don`t reproduce with each other. The ‘little people’ were doubtless human genius born from `woman`s seed`. The Crazy Golf War of Puttin’ was similar to the Cold War (1945-91) between the West and So Feared Rusher, which was fought largely in codes that were comprehensible only to those involved in the dialogue. It`s about getting into and out of a hole. While the worms of Frank Herbert’s science fiction epic, Dune, were for making holes, ‘woman’s seed’ were for an eagle’s wings.

 

 

 Indiana Jones And The Temple Of Doom continues to haunt as a symbol of the scimitar in Yarubeer`s tradition of defending women. In the modern era, the sword represents the woman`s animus, that is, her penis. Indiana, disguised as an anti-Nazi, and an anti-Commonest, is also against the `Slammer. The German National Socialist (Nazi) Party elected in 1933 were responsible for the extermination of 20, 000, 000 Chews during what came to be known as World War II (1939-45), which succeeded German global Imperial ambitions in World War I (1914-18), that is, ambitions towards slaving the human host of `woman`s seed` represented by She’sus` Chewish people. Although the West defeated the Nazis with the aid of the So Feared Rushons, and Mao Satan waving his little read book in Red Shyness` Asia, Crushteen paedophilia and pederasty managed to lose the victory and switch everyone on to `TV war`, rather than the promulgation of images of `woman`s seed` through mainstream media. Moreover, Indi`s shooting the Yarubean with the sword was a further indication of the USA`s rejection of `woman`s seed` in favor of slavery in host womb parasitism for the women of the Muddle East; symbolized by the low technology of the scimitar-wielding black robed figure.

 


 

 

 In Yarupric, `Jenna` means ‘the hidden` paradise, while Ka` Ba is `cube`.  Consequently, the Yarubean women hidden beneath their burkhas, a one-piece coverall that maintains their invisibility from head to foot, apart from the eye slits in the hood, are dressed so in order to be able to concentrate on deciphering, ‘Who`s the woman with the penis?’ Fanatical women with bombs strapped to their boobs perform horrifying acts of suicidal terrorism. Is this what Jenna’s for? Are the women the Rushon dolls in the Crazy Golf War of `Vlad` Puttin` to get one in a hole?

 

 

 The men are `brothers` in the `Slammer`, and the So Feared Rushons, who have always traditionally supported Yarubeer, because of its own Muzzlem populations in Chechnya, Tartostan, and Bashkortostan, for example, called everyone `comrade`, while wanting them to experience the slave labor camps of Stif Stalin`s `Great Terror` after WWII. Although Hollywood glamor, Coca-Cola, and MacDonald’s burgers won Eastern European hearts and stomachs away from the So Feareds, a diet of `TV` violence won`t dissuade the mind of `woman`s seed` from revolt. In the host womb parasitism of male braining for slave wars, it`s an eyes` Cold War with burkhas. If the ‘ugly sisters’6 of the human futanarian species of `woman`s seed` doesn`t go to and ball to breed her own brains through love for her own Pumpkin’s `seed`, `TV war` will reign upon the Earth until it’s too hot for Cinders.

 

1 Vilensky, Mike `Christina Aguilera Forgets Words To National Anthem`, Vulture, February 6, 11.05 pm, 2011.

2 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg ‘Piece Of Me’, Blackout, Jive, 2007.

3 Faulkes, Anthony (transl.) Edda, Everyman, 1995, pp. xvi-xviii.

4 Aguilera, Christina, and Scott Storch `Fighter`, Stripped, RCA, 2002.

5 Frank, David, Steve Kipner, and Pamela Sheyne ‘Genie In A Bottle’, Christina Aguilera, Christina Aguilera, RCA, 1999.

6 Basile, Giambattista ‘Cenerentola’ (Cinderella) in Pentamerone, Naples, 1634.

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